Showing posts with label Salinger's Life. Show all posts
Showing posts with label Salinger's Life. Show all posts

Tuesday, May 25, 2010

Big Brother wasn't watching...

According to the Huffington Post, J.D. Salinger didn't have an FBI file. I guess there was no need.

Friday, May 22, 2009

Yay!

Salinger says he was influenced by Sherwood Anderson.

*whew* I can do this after all!

*although I wish the seminar was on Anderson instead...

Wednesday, May 20, 2009

Still Reclusive After All These Years...

Even after 35 years, Salinger still not talking.

From the article:
Undaunted, the Spectator's man set off to interview Salinger's neighbours, who supplied a range of not-very-revealing anecdotes: one had seen the 90-year-old in the supermarket the day before, "leaning heavily on a trolley", and recalled an exchange with him in the 1990s when he was irritated with her for dropping a loaf of bread at his feet. Another provided the invaluable titbit that he enjoys spinach and mushroom wraps when eating in a local café, while a third is unlikely to shock the world with the revelation that Salinger is "not one for chitchat".

...to be continued...

This just in...

Okay, well not so new news about a possible sequel/parody of "Catcher".

Lawyers are already working on this, question is will he (or his publisher's) sue?

If there is any possible way, I bet he will!

*ETA: Decided to add a Salinger news feed at left. Enjoy!

...to be continued...

A Bit on Vaudeville

In "Raise High the Roof Beam, Carpenters," Buddy mentions that his parents were Vaudevillians on the Pantages Circuit.

Sidebar: Interesting tidbit, the Wikipedia Vaudeville article mentions Edward Albee's adoptive grandfather's role in Vaudeville and the emerging Motion Picture Industry:

Albee, adoptive grandfather of the Pulitzer Prize-winning playwright Edward Albee, managed the chain to its greatest success. Circuits such as those managed by Keith-Albee provided vaudeville's greatest economic innovation and the principal source of its industrial strength, enabling a chain of allied vaudeville houses that remedied the chaos of the single-theatre booking system by contracting acts for regional and national tours that could grow from a few weeks to two years.

In 1919, the Orpheum Circuit was incorporated, which brought together 45 vaudeville theatere in 36 cities throughout the United States and Canada and a large interest in two vaudeville circuits. In 1928, the company merged with Keith's and Albee's chain of theaters to form Keith-Albee-Orpheum. The company soon became the major motion picture studio Radio-Keith-Orpheum (RKO).


Ok enough with my fascination with Edward Albee.

I find it very interesting that Bessie would have encouraged her children to use stage names and except for the fact that her concerns echo some of those echoed by the Matron of Honor later in the story, I am not sure why Salinger chose to include this item.

...to be continued...